{"id":445,"date":"2015-06-06T12:04:23","date_gmt":"2015-06-06T11:04:23","guid":{"rendered":"http:\/\/lolalafon.toile-libre.org\/main\/?p=445"},"modified":"2015-06-06T12:27:13","modified_gmt":"2015-06-06T11:27:13","slug":"445","status":"publish","type":"post","link":"https:\/\/lolalafon.toile-libre.org\/main\/?p=445","title":{"rendered":"Nadia C."},"content":{"rendered":"<h1><a href=\"http:\/\/lolalafon.toile-libre.org\/main\/wp-content\/uploads\/2015\/06\/nadia_C.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-450 alignleft\" alt=\"nadia_C\" src=\"http:\/\/lolalafon.toile-libre.org\/main\/wp-content\/uploads\/2015\/06\/nadia_C.jpg\" width=\"172\" height=\"172\" srcset=\"https:\/\/lolalafon.toile-libre.org\/main\/wp-content\/uploads\/2015\/06\/nadia_C.jpg 215w, https:\/\/lolalafon.toile-libre.org\/main\/wp-content\/uploads\/2015\/06\/nadia_C-150x150.jpg 150w, https:\/\/lolalafon.toile-libre.org\/main\/wp-content\/uploads\/2015\/06\/nadia_C-200x200.jpg 200w\" sizes=\"(max-width: 172px) 100vw, 172px\" \/><\/a>Nadia C. (La petite communiste qui ne souriait jamais)<\/h1>\n<h4>d&rsquo;apr\u00e8s l&rsquo;oeuvre de Lola Lafon.<\/h4>\n<p>Par\u00a0Chlo\u00e9 Dabert, artiste associ\u00e9e au\u00a0<a title=\"104\" href=\"http:\/\/www.104.fr\/programmation\/programmation.html?c=156&amp;a=440\" target=\"_blank\">CENTQUATRE-PARIS<\/a>\u00a0depuis 2015.<br \/>\n<a title=\"Compagnie Heros Limite\" href=\"http:\/\/www.heroslimite.com\" target=\"_blank\">(Compagnie Heros limite)<\/a><\/p>\n<p>Au 104 Paris, du 13 au 20 avril 2016.<\/p>\n<p>Adaptation, conception et mise en sc\u00e8ne \/\/ Chlo\u00e9 Dabert.<br \/>\nAvec Suliane Brahim et Anna Cervinka de la com\u00e9die fran\u00e7aise \/\/ et Alexandrine Serre<\/p>\n<p>Sc\u00e9nographie et cr\u00e9ation vid\u00e9o \/\/ Pierre Nouvel<br \/>\nCr\u00e9ation lumi\u00e8re \/\/ Kelig Le Bars<br \/>\nCollaboration dramaturgique \/\/ Brigitte Ferrari<\/p>\n<p>Montr\u00e9al. 1976. Nadia Comaneci, une gymnaste roumaine de 14 ans, fait exploser les codes et les repr\u00e9sentations. Elle devient l\u2019image de la perfection. La narratrice du roman imagine le\u00a0parcours de cette \u00ab ic\u00f4ne \u00bb en explorant tous les possibles de la fiction.<\/p>\n<p>Son personnage voltige d\u2019est en ouest, objet m\u00e9diatique qui r\u00e9v\u00e8le la complexit\u00e9 des regards et les \u00e9preuves d\u2019une femme en devenir.<\/p>\n<p>Nadia C. sera un r\u00e9cit \u00e0 trois voix, au plus pr\u00e8s de l&rsquo;\u00e9criture de Lola Lafon et de son roman, inspir\u00e9 de l\u2019\u00e9pop\u00e9e de Nadia Comaneci. \u00a0Une enqu\u00eate \u00e0 la recherche de Nadia C, personnage\u00a0embl\u00e9matique, myst\u00e9rieux et fascinant. Les com\u00e9diennes, ne cherchant jamais \u00e0 l\u2019incarner, mais plut\u00f4t \u00e0 la questionner \u00e0 travers son parcours, son \u00e9poque, son image, proposeront\u00a0l\u2019une ou l\u2019autre des versions de l&rsquo;histoire, la petite mais aussi parfois la grande. Accompagn\u00e9es d\u2019un vid\u00e9aste, elles suivront les pistes propos\u00e9es par l\u2019auteure en se confrontant \u00e0 diff\u00e9rents\u00a0outils de la repr\u00e9sentation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nadia C. (La petite communiste qui ne souriait jamais) d&rsquo;apr\u00e8s l&rsquo;oeuvre de Lola Lafon. Par\u00a0Chlo\u00e9 Dabert, artiste associ\u00e9e au\u00a0CENTQUATRE-PARIS\u00a0depuis 2015. (Compagnie Heros limite) Au 104 Paris, du 13 au 20 \u2026 <a class=\"continue-reading-link\" href=\"https:\/\/lolalafon.toile-libre.org\/main\/?p=445\">Afficher<\/a><\/p>\n","protected":false},"author":2,"featured_media":450,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"_links":{"self":[{"href":"https:\/\/lolalafon.toile-libre.org\/main\/index.php?rest_route=\/wp\/v2\/posts\/445"}],"collection":[{"href":"https:\/\/lolalafon.toile-libre.org\/main\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lolalafon.toile-libre.org\/main\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lolalafon.toile-libre.org\/main\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lolalafon.toile-libre.org\/main\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=445"}],"version-history":[{"count":7,"href":"https:\/\/lolalafon.toile-libre.org\/main\/index.php?rest_route=\/wp\/v2\/posts\/445\/revisions"}],"predecessor-version":[{"id":449,"href":"https:\/\/lolalafon.toile-libre.org\/main\/index.php?rest_route=\/wp\/v2\/posts\/445\/revisions\/449"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lolalafon.toile-libre.org\/main\/index.php?rest_route=\/wp\/v2\/media\/450"}],"wp:attachment":[{"href":"https:\/\/lolalafon.toile-libre.org\/main\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lolalafon.toile-libre.org\/main\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lolalafon.toile-libre.org\/main\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}